AP Success - AP English Language: The Poetry of Science

The following is an excerpt from The Poetry of Science, an 1848 book by British minerologist Robert Hunt.

In contemplating works of nature, we cannot but regard, with feelings of religious admiration, the infinite variety of forms under which matter is presented to our senses. On every hand, the utmost diversity is exhibited; through all things we trace the most perfect order; and overall is diffused the charm of beauty. It is the uneducated or depraved alone, who find deformities in the creations by which we are surrounded. The three conditions of matter are, the solid, the fluid, and the aeriform; and these belong equally to the organic and inorganic world. In organic nature we have an almost infinite variety of animal form, presenting developments widely different from each other; yet in every case suited to the conditions required by the position which the creature occupies in the scale of being. Through the entire series, from the Polype to the higher order of animals, even to man, we find a uniformity in the progress towards perfection, and a continuity in the series, which betrays the great secret, that the mystery of life is the same in all—a pervading spiritual essence associated with matter, and modifying it by the master-mechanism of an Infinite mind. In the vegetable clothing of the surface of the earth, which fits it for the abode of man and animals—from the confervae1 of a stagnant pool, or the lichen of the windbeaten rock, to the lordly oak or towering palm—a singularly beautiful chain of being, and of gradual elevation in the scale of organization, presents itself to the contemplative mind. In the inorganic world, where the great phenomena of life are wanting, we have constantly exhibited the working of powers of a strangely complicated kind. The symmetrical arrangement of crystals—the diversified characters of mineral formations—the systematic aggregation of particles to form masses possessing properties of a peculiar and striking nature—all prove that agencies, which science with all its refinements has not detected, are unceasingly at work…. The naturalist searches the earth, the waters, and the air, for their living things; and the diversity of form, the variety of condition, and the perfection of organization which he discovers as belonging to this our epoch—differing from, indeed bearing but a slight relation to, those which mark the earth’s mutations—exhibit in a most striking view the endless variety of characters which matter can assume. We are so accustomed to all these phenomena of matter, that it is with some difficulty we can bend ourselves to the study of the more simple conditions in which it exists…. To nature alone belongs the mysterious power of transmutation. The enthusiastic alchemist, by the agency of physical power, dissipates a metal in vapour; but it remains a metal, and the same metal still. By the Hermetic art, he breaks up the combinations of masses; but he cannot alter the principles of any one of the elements which formed the mass upon which his skill is tried. Every atom is invested with properties peculiar to all of its class; and each one possesses powers, to which in mute obedience it is compelled, by which these properties are modified, and the character of matter varied. What are those properties? Do we know anything of those powers?

Question 1

Multiple choice

The author uses the phrase "religious admiration" (line 2) to indicate that the contemplation of nature is:

  • a formal religious practice

  • an experience that evokes a deep sense of reverence and awe

  • governed by strict doctrinal beliefs

  • limited to those with specific religious affiliations

  • an activity devoid of emotional impact

Question 2

Multiple choice

In line 6, "the uneducated or depraved" are mentioned to highlight:

  • a contrast between different types of observers of nature

  • the author's elitist attitude towards education and morality

  • the idea that appreciation of nature is a learned trait

  • the consequences of neglecting nature's beauty

  • the division between human perceptions of beauty

Question 3

Multiple choice

The phrase "through all things we trace the most perfect order" (line 5) suggests that the author perceives nature as:

  • chaotic and unpredictable

  • an entity that requires further scientific investigation

  • inherently disorganized but beautiful

  • governed by a discernible and harmonious structure

  • isolated incidents of beauty without a unifying principle

Question 4

Multiple choice

The reference to "the three conditions of matter" (line 9) serves to:

  • introduce a detailed scientific discourse

  • demonstrate the diversity and complexity of the natural world

  • argue against the prevailing scientific theories of the time

  • provide a metaphor for the social conditions of humanity

  • illustrate the limitations of human understanding of nature

Question 5

Multiple choice

When discussing organic and inorganic worlds (lines 12-37), the author aims to:

  • highlight the superiority of organic life forms over inorganic matter

  • show the interconnectedness and variety present in all aspects of nature

  • establish a clear and unbridgeable divide between living and non-living entities

  • promote a new scientific theory that redefines organic and inorganic classifications

  • argue for the moral consideration of all forms of matter

Question 6

Multiple choice

The term "pervading spiritual essence" (line 20) suggests that the author views life as:

  • a purely physical phenomenon devoid of any metaphysical aspects

  • governed by mechanical laws without any inherent meaning

  • imbued with an intangible quality that transcends material existence

  • a concept that can be fully explained through scientific inquiry

  • an illusion that distracts from the understanding of the material world

Question 7

Multiple choice

The "master-mechanism of an Infinite mind" (line 22) implies that the author believes:

  • in a deterministic universe without free will

  • in a personal deity actively involved in the creation

  • the universe is a creation of a higher intelligence

  • human minds are capable of infinite understanding

  • nature operates independently of any divine or higher intelligence

Question 8

Multiple choice

In lines 38-44, the naturalist's search is used to illustrate:

  • the futility of trying to understand nature's diversity

  • the overwhelming complexity of the natural world

  • humanity's persistent curiosity and desire to categorize the natural world

  • the superiority of human intellect over the simplicity of nature

  • a historical overview of naturalistic studies and their findings

Question 9

Multiple choice

The phrase "endless variety of characters which matter can assume" (line 44) underscores the theme of:

  • the predictability and uniformity of natural phenomena

  • nature's constant and unchanging essence

  • the limitless potential and diversity found in the natural world

  • humanity's ability to fully comprehend and classify all aspects of nature

  • the existential crisis faced by humans when confronted with nature's vastness

Question 10

Multiple choice

The overall tone of the passage can best be described as:

  • skeptical and questioning of the established views on nature

  • objective and detached, presenting facts without personal bias

  • reverent and awe-inspired, with a deep appreciation for nature's complexity

  • cynical and critical of humanity's relationship with nature

  • humorous and light-hearted, taking a playful approach to the subject matter

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