UNIT 7 DBQ AMSCO Essay Extravaganza
Question 1
Analyze the extent to which the arts of the 19th century represented a change in European artistic expression.
Document 2
I wandered lonely as a cloud
That floats on high oer vales and hills, When all at once I saw a crowd, A host, of golden daffodils;
Beside the lake, beneath the trees, Fluttering and dancing in the breeze.
Continuous as the stars that shine And twinkle on the milky way, They stretched in never-ending line
Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.
Document 2 - Source: William Wordsworth, English poet, I Wandered Lonely as a Cloud, 1807
Document 4 At the honourable shops, the work is done, as it was universally thirty years ago, on the premises and at good wages. In the dishonourable trade, the work is taken home by the men, to be done at the very lowest possible prices, which decrease year by year.... For at the honourable shops, the master deals directly with his workmen; while at the dishonourable ones, the greater part of the work, if not the whole, is let out to contractors, or middle men - "sweaters", as their victims significantly call them... who have to draw their profit. And when the labour price has been already beaten down to the lowest possible, how much remains for the workmen after all these deductions, let the poor fellows themselves say! ...
And now comes the question - What is to be done with these poor tailors, to the number of between fifteen and twenty thousand? Their condition, as it stands, is simply one of ever-increasing darkness and despair. The system which is ruining them is daily spreading, deepening. While we write, fresh victims are being driven by penury into the slop-working trade, fresh depreciations of labour are taking place.... What can be done?
Document 4 - Source: Charles Kingsley, Anglican priest and Christian Socialist reformer, Cheap Clothes and Nasty, 1850
Document 5 Child! This Tristan is turning into something dreadful!
That last act!!!
I'm afraid the opera will be forbidden unless the whole thing is turned into a parody by bad production: only mediocre performances can save me! Completely good ones are bound to drive people crazy, I can't imagine what else could happen. To such a state have things come!!! Alas!
I was just going full steam ahead!
Document 5 - Source: Richard Wagner, German composer, note to his friend Mathilde Wesendonck, written while working on his opera Tristan und Isolde, 1859
Document 6 Beyond the green swelling hills of the Mittel Land rose mighty slopes of forest up to the lofty steeps of the Carpathians themselves. Right and left of us they towered, with the afternoon sun falling full upon them and bringing out all the glorious colours of this beautiful range, deep blue and purple in the shadows of the peaks, green and brown where grass and rock mingled, and an endless perspective of jagged rock and pointed crags, till these were themselves lost in the distance, where the snowy peaks rose grandly. Here and there seemed mighty rifts in the mountains, through which, as the sun began to sink, we saw now and again the white gleam of falling water. One of my companions touched my arm as we swept round the base of a hill and opened up the lofty, snow-covered peak of a mountain, which seemed, as we wound on our serpentine way, to be right before us:—
"Look! Isten szek!" -"God's seat!" —and he crossed himself reverently.
Document 6 - Source: Bram Stoker, English author, Dracula, 1897
Document 7 Unscathed by vile slander, you have won the hearts of all. You are radiant in the patriotic glory of our country's alliance with Russia, you are about to preside over the solemn triumph of our World Fair, the jewel that crowns this great century of labour, truth, and freedom. But what filth this wretched Dreyfus affair has cast on your name - I wanted to say reign -.
A court martial, under orders, has just dared to acquit a certain Esterhazy, a supreme insult to all truth and justice. And now the image of France is sullied by this filth, and history shall record that it was under your presidency that this crime against society was committed....
I accuse Lt. Col. du Paty de Clam of being the diabolical creator of this miscarriage of justice - unwittingly, I would like to believe - and of defending this sorry deed, over the last three years, by all manner of ludricrous and evil machinations....
I accuse General Billot of having held in his hands absolute proof of Dreyfus's innocence and covering it up, and making himself guilty of this crime against mankind and justice, as a political expedient and a way for the compromised General Staff to save face.
Document 7 - Source: Emile Zola, French journalist, J'Accuse...! (I Accuse...!), a letter to the president of France, published in the Paris newspaper Aurore, January 13, 1898
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